The gig that launched a brace of albums..

The Black Market Venue was resplendent with candlelit tables and black table cloths, the curtains were pulled across (initially at least!) to make what is a cavernous space feel more intimate, red and black balloons bedecked the place (including some HUUUUUGE ones by the stage!).  The room was filled with possibly a larger crowd than anticipated – eagerly ready to support the album launch for not just Star Botherers, but Strange Currencies too – and if that wasn’t enough, there was a set by Black Thorn to get the night underway!

Jamie had been kind enough to give us a lift up to the venue – so I could have a cheeky pint of Illicit or two for a change – and not have to gamble a trip in my increasingly erratic car (but that’s another story!).  By the time we were herded into the back room by Brad there was a sizeable gathering in the front bar, but unbeknown to us there was quite the crowd already ensconsed in the back room – tables had filled up, we installed ourselves by the bar, by the time Kev, Julie and the kids arrived the curtains had to go back to make room for everyone.

I’m really glad about that – it’s great to see so many people out to support local independent and unsigned artists.  As well as an album launch it was a showcase for The Black Market Venue’s recording facilities – where, of course, Happy Angry was recorded, and is headed up by Joel.  Venue, bar, brewery and now recording studio – certainly a diverse establishment!  As we got ourselves settled in Black Thorn were getting themselves soundchecked – and soon enough were underway.

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Freeborn Al / 9th November 2017 / Hell Hounds, Music, Other Bands, Photos

A song for everyone..

I feel a bit vindicated in taking a while to get this review out the blocks because I’ve waited for ages for Shanks’ Pony to get some of their songs recorded!  I can’t remember exactly when I first saw them play, but I know it wasn’t long after I’d first got into Ferocious Dog, I have a vague memory of my first sight of a cajón in use at The Black Market Venue in the murky past – and ever since then I like many of you have had to make do with getting to see them live and not be able to listen in the comfort of our own homes.

But no longer!  We knew an album was in progress and then suddenly a Facebook post announced we could order – so that’s what I did and greedily eyed the letterbox at home until it arrived – clad in a delightfully designed cover (courtesy of Kezia Parsons) depicting the band in a woodland scene.  I eagerly grabbed the CD out of the case and got it ripped onto a device I could play loudly – whilst the technical stuff was happening I cast an eye down the track list – eight songs all familiar titles (and will help with me trying to translate their impossible set lists in future, haha!).

Top of the World is up first, kicking in with Bob’s distinctive drumming intro then layered in some staccato guitar strums from Paul and then the fiddle instrumental builds up for the vocals, I’m sure I remember this song documents an event at Harefield Hall (I know Dean has said more than once during a live airing that he was there!).  You don’t really have to be familiar with the precise events chronicled though – lots of name-checking of now familiar artists – plus Edward Tudor-Pole in there too..

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Freeborn Al / 17th October 2017 / Music, Other Bands, Photos