Farmer Phil’s 2017 – part two!

Saturday morning started with sausage cobs (yes, they are cobs!) for breakfast – then we were up to the arena early doors as Morgan and Ella were doing a Morganella ‘meet and greet’ at the Pink Flamingo Bar. Lucan was a hero and arranged for a 4×4 to pick up our stuff to take up to the stage so I left Mark in charge of my stuff and accompanied Ella up to the arena. Starting the day with a cheeky cocktail and the first questions and answers was fun, but soon enough I needed to report back stage to get The Star Copiers set up – so that’s where I headed.

The sound crew were awesome – we aren’t very experienced really so we take all the help we can get! They got each monitor set up for us so that we could hear what we needed to hear, something I’d never really appreciated before until performing.  Once soundchecking was finished I found a quiet corner to get changed into my silly stage wear (okay, I just got changed in front of everyone back stage, haha!). Mark’s guitar seemed to not want to stay in tune, Kev was a bit nervous, Jacquie was practising lines – I was pretty excited in truth, definitely our biggest stage to date.

We started up by going on one by one with a slow intro to Down Under, Mark first, then Jamie, me, Kev and finally Jacquie to kick off the vocals. I thought it worked rather well! Donning sunglasses meant I couldn’t see the people in the barn – but I could see Kenny grinning at us from the bank outside the stage enclosure. What’s Up was next – even if I was tapping into a different song, already looking too far forward on the set list. Oops! It didn’t put the others off, so I could drop back into the correct beat soon enough. Listen was next, then I Still Believe (the one I started off on before by accident). It’s a song we always cock up in rehearsals – I’m happy to say this time I don’t think we did, although my monitor mix was largely Mark, Jacquie and me.

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Freeborn Al / 27th August 2017 / Band, Gigs, Hell Hounds, Lee Bonsall, Music, Other Bands, Photos

Fishing for Owls..

I’ve been sitting on Paul Henshaw and the Scientific Simpletons‘ latest album for a while so I do apologise profusely for the delay in finally jotting down my musings.  Fishing For Owls has been on my regular playlist for a little over a month now, and it’s a mixed paced collection of folk-punk goodness – one moment irreverent, one moment deeply moving and at times funny.  There’s full band big sound, acoustic moments and all manner of paces.

Middle Finger Thank You is a ballsy opener – drumsticks click a count in to a wall of guitar and percussion before it slows up for the vocals to kick in.  Defiant in sound and message – Paul describes it as a ‘bit of an internal battle and ‘fuck you’ to myself, which fits nicely with the sound here – uncompromising, relentless and aggressive instrumentals overlaid with measured and considered vocals for the most part.  Don’t let life get you down and deal with your problems is the message here.

A folksier feel with stomping feet and acoustic strumming heralds Wild Turkey – a song telling the tale of a trip to London to play a gig involving perhaps a little bit too much of the titled whiskey for the narrator.  Slightly self-sorry in tone, but quite philosophical about it too – I’m sure we’ve all had one of those moments when you feel like there’s nobody on your side and you’ve only got yourself to rely on.

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Freeborn Al / 14th June 2017 / Music