It’s a Brum do…

IMG_1356I was dead excited when the tour was set to open in Birmingham – as I work in Solihull it would be a short shlep from the office to get there.  Fate conspired against me and saw me up in Manchester for a meeting instead – but planned with sufficient time to dash down the M6 (well, dash until the West Midlands were breached!) to get to my hotel probably earlier than I would’ve done had I gone from our offices!  Having missed a turn I ended up driving past the venue to double-back and saw the band unloading Cerebus.

The Old Crown is a brilliantly quirky old pub a stones throw from the venue which was why I chose it – the car park was full but I found a pay & display one down the road at a reasonable rate.  Once I’d got checked in (and remembered not to smack my head on the low beams) it turned out Mick was staying here too – so after getting a little too engrossed in building a new coil for my e-cig and watching Tipping Point I headed down to the bar to join Mick for a few cheeky beverages.

No sooner had we done that then another Mick arrived to join us, as did Tina and crew, followed by most of the band along with Wez, Gaz and Dom, Dave and Nadine, Michael and Rebecca, Darren, Colette and their lad, Paul and Kim, Geoff and probably loads of others I’ve forgotten – what an auspicious gathering!  Mick R and I had succumbed to the lure of ordering food which took a while to arrive in the busy pub, but was worth the wait – although left me eating a little closer to gig time than I’d have liked ideally!

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Freeborn Al / 16th October 2015 / Band, Gigs, Hell Hounds, Music, Other Bands, Photos / 0 Comments

From Without – it’s finally here!

IMG_0447Facebook has been awash with excited people receiving packages through the post after the Herculean efforts of Gibbo and Hannah in getting everyone’s album packaged and mailed over the weekend.  Despite basically having it already, it was still a bit galling to be stuck at the office periodically spotting a series of delighted people  posting photos and their initial thoughts – all of which have been positive so far (not that I ever doubted it).  I’ve skirted around writing about the album tracks a few times, but now it’s ‘in the wild’ I can do so unabashed at spoiling anything too much.

Biased though I undoubtedly am, I love everything about it – the imagery, the packaging, the slight imperfection in that the lyrics for Gallows Justice are missing from the sleeve notes (Waggy has posted the page online should any perfectionists wish to download them), the signatures, the fact my name is in it, and of course the songs themselves.  The songs, they’re unmistakably Ferocious Dog, they are a mixture of biting political observation, historical accounts, a traditional re-imagining and a love ballad gone sour.

They are unmistakably Ferocious Dog, but they chart some evolution too.  What more could you want?  I described it earlier on Facebook as a plateau of an album rather than a roller-coaster – whilst there’s variation of paces and styles there’s no let up in quality, it peaks early and stays there – I do genuinely love it.  Even though I heard it a lot I still played it all the way home from work, playing pretend that I’d been in in time for the Postman to deliver it to me.

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Freeborn Al / 5th October 2015 / Band, Music / 0 Comments

The waiting is almost over..

IMG_0447.. and boy are you going to think it’s worth it.  From Without has been mastered, and is going into production ready to be sent out to the good folks who made it a possibility by paying up front for it.   Back in April I wrote a review based on some of the rough-cut tracks I’d been privy to, subsequently I’ve been lucky enough to hear a number of the iterations of mixing that occurred and finally the mastered full album this evening.  And wow, what a treat.  I’m not sure if posting this is torturing folk who’ve waited or help with anticipation.

In the recent radio interview Ken talked about From Without and how it was inspired by Karl Marx.  More specifically the inference that revolution can’t be triggered solely by the proletariat but would need help from without their ranks.  Of course all the speculation and misinterpretations were fun – but undoubtedly this is an album that has a strong political underpinning almost throughout – be it contemporary or historical – there’s anger and cutting observation.

Whether it be what sounds like a summary of Iain Duncan-Smith’s assault on the disabled and the farce of the bedroom tax in Living on Thin Air (this is the track, you’ll remember, that was co-written with Nick Burbridge), historical accounts like Ruby Bridges, Crime and Punishment and more recent history in the form of Marikana Massacre or the hauntingly sad-yet-beautiful Slow Motion Suicide charting the demise of a jobless miner in the wake of the pits being closed – there’s clear messages of the disenfranchised ringing through the opening nine tracks of the album.

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Freeborn Al / 1st September 2015 / Band, Music, Photos / 0 Comments