The accidental shoplifter

Pete Drake is a bit of an enigma – somewhere between comedy and social observation, he’s a staple in solo acoustic guise, compere and open mic administrator at festival scenes. On Facebook he runs a popular spot the ball competition, and documents the painstaking do-it-yourself duties that are required to maintain the hard slog to becoming a pop star. Whether it’s presenting existing pop stars with badges, getting involved with Japanese radio stations, it feels like there’s no random stone left unturned!

I can quite vividly remember the first time I heard him, we’d just arrived at Roystonbury Festival and it was hammering it down with rain so we’d not yet ventured from our van, but being quite close to the stage we could hear Accidentally Found, which I still love for its clever wordplay and observations.

The Accidental Shoplifter is his first full-length album, which he recorded between January and April this year. The CDs themselves promise to have unique hand-drawn inner sleeves complete with lyric quotes, at least for the first 99 he sells – each drawing themed around a word contained in the album. There’s no pre-ordering or crowd-funding here – you’ll have to wait until it’s released tomorrow to get a hold of it. I’m not sure whether it will be available on digital platforms – which one of the songs might offer reasons for it not to be!

I’m sure it will be available on his Bandcamp page though!

For those of you accustomed to Pete’s live performances you might be in for a surprise – along with his customary guitar and vocals there’s layers of percussion and synth here courtesy of Mark Adamson to give some depth and character. His characteristic authentic-accented vocals putting more emphasis on clever and witty wordplay than soaring melodic ranges – and it’s all the better for it, it’s genuine and honest. He’s just dropped a teaser video which you can see below.

The subject matter of the twelve songs vary tremendously. As a fledgling song-writer I often wonder where people get their inspiration from to pen a new song, with Pete it seems like anything and everything that occurs to him in his daily life is fit material to turn into music – usually irreverent, often funny and sometimes poignant it’s a rare talent! We open with The Accidental Shoplifter, observing the supermarket trend of installing self-checkouts and the opportunity many shoppers took to ‘accidentally’ shoplift. (Supermarkets saw record sales in ‘carrots’ as people weighed whatever goods they had whilst selecting carrots on the screen).

The Wizard of Oz sees Kay Spink joining on vocals, underpinning this eighties sounding vibe is observations around relationships taking themes from the famous film. I Believe in Magic is a boogie-tastic disco-classic – an album version, with an extended dance remix promised for a release later in the year. Airborne is literally a flight of fantasy, albeit based on a true story of Tom Stoker who spent $290k on a lifetime pass for United Airlines – 33 years later he’s travelled more than 23 million miles and visited over 100 countries, defending his carbon footprint by pointing out the plane would fly with or without his presence – a refrain that echoes through the song.

I Wasn’t Asked is probably a familiar refrain for many grassroots artists – that balance between being asked to play or be involved and over-asking / applying to events is something in my Darwin’s Rejects guise I can relate to strongly. It feels like the song is tongue-in-cheek with an element of seriousness, it feels hard to earn opportunities. The Ballad of Wally West continues what is now becoming a snooker player series – specifically his world record break which was a record he held for many years – that honour now of course sitting with Ronnie O’Sullivan.

30 Sets of Strings is a kind of tribute sequel to Star Botherers, Pete’s writing style does remind me more than anyone of Bart. Their song 3 Sets of Strings talks about the decline of high street music shops because supplies are cheaper on eBay – in this ‘answer ballad’ Pete recounts his loyalty to a particular music shop who went on to have a closing down sale, so in a panic bought all their remaining stock in a closing down sale!

There’s Only Two Pete Drakes offers the explanation why you might not find this on Spotify or Apple Music – there’s already a recording artist called Pete Drake, or at least – as we discover – that’s the name he took on rather than was given. He’s an American country performer sadly no longer with us, an amusingly embittered song as ever underpinned with humour. Mr Barton Says recounts a 1980s interview with Edward Barton on The Tube – Pete doesn’t elaborate on the specifics of the interview but whatever it was he said changed his outlook. Edward himself has approved the song too!

I admit I did lose myself in a Edward Barton rabbit-hole which I shan’t delve into here – but his Wikipedia entry is fascinating.

Halloween Has Been is a seasonal number that nearly didn’t make the cut – there’s a bit of a hint as to it being an older song than others, as there’s a few Covid-19 references (some of which he edited out, but I clocked the ‘staying in your bubbles’ one!). She Sells She Smells is amusing – having listened a few times I must admit that the backstory I started to construct was possibly slightly more deviant than the truth – a random article Pete found documenting a lady who was selling farts in a jar for a considerable sum. Far from mocking, it’s almost celebratory for the entrepreneurial spirit!

Then we reach the end with Turned Down the Turner Prize, upbeat with drums and bass synth from the off, guitars kick in and then we’re treated to a future vision of Pete’s creative output which diversifies from music considerably and well, the title kind of gives away the ending but perhaps not the journey which I’ve leave for you to discover yourselves. It’s a fun way to finish though – with lots of layers of sound in here.

Thus concludes an obvious labour of love. It’s perversely polished-yet-raw, despite the fancy machinations of production there’s an authentic punk feel – I don’t mean lots of Ois and electric guitar, more in attitude and philosophy – knowing that there’s a true ethos of DIY underpinning on the whole production – from the songwriting, recording, artwork, promotion – it’s endearing as it is clever and engaging, and it will make you laugh too.

Freeborn Al / 27th May 2024 / Music, Photos, Videos

Kleptocracy

Well, since I found the password to the blog it seems rude not to mark the auspicious occasion of a new album from the band that kickstarted this whole venture, doesn’t it? I’ve had a few previous tracks for a while but thought it worth waiting ’til release before committing type to box.

It feels like this album’s been a long time coming, it arrived on streaming platforms yesterday and the postman brought me my pre-order this morning – idiot me bought two black LPs rather than a red and a black one. D’oh! My chimpish oversight gladdened slightly by the inclusion of THREE signed postcards.

In digital or CD format there’s a smorgasbord of sixteen tracks, stripped back to ten for the vinyl format. The latest generation of Ferocious Dog feels more at home with the rabble-rouser anthems than some of the more poetic elements thrown into the mix of previous albums. With the political landscape as it is, and political luminaries like Ben Bradley and Lee Anderson looming large in their area of the country it’s perhaps not a surprise there’s a more overt protest feel for this collection of songs.

Launching into Witch Hunt sets the tone quite nicely, fast folk punk issues an immediate call to the mosh put with a chugging beat and bass overlaid with intricate instrumentals and rasping vocals from Ken. We’ve already heard SUS Laws as it was released – it grabbed me straight away because of the stunning fiddle arrangement – which I realised I’d heard before, Jamie has repurposed the strings from Montagu’s Harrier from his past life with The Silk Road – it’s a beautiful composition and fits well into a full song rather than a pure instrumental.

Ferocious Dog – SUS Laws

Title track Kleptocracy has more than a whiff of Levellers about the instrumentation (which is certainly no bad thing!) before Ken’s distinctive vocals kick in to make it unmistakably Ferocious Dog albeit with some nice electric guitar licks giving it a rocky undertone. I wondered if Iron Mike Malloy might be the traditional cover FD usually throw in to their albums – I’m not sure it is though, it’s a tub-thumping tale of a real character – an Irishman living in New York with a fascinating back story, worth reading up on. There’s shades of Pogues about the sound here, which is deeply appropriate!

What kind of albums would this be without a song about rebellion, Merthyr Rising provides this – whistles and percussion with bouncing lyrics give an almost medieval feel before the song kicks in to a full on dervish. We do get some respite from the energy that maybe the influx of youth into the band of late has brought, A Place We Called Home is a charming duet ballad talking of love through the hardest of times, with a stunning contribution from Lizzey Ross providing the other half of the story. A real highlight for me, but then I always crave a bit of melancholy. This is lovely.

Ferocious Dog – A Place We Call Home

Blood Soaked Shores brings us back into protest mode – acoustic guitar and vocals start before the band joins in to another mosh pit stomper. Darker Side of Town sees Kyle take the vocals and judging by the electric guitar lead probably the songwriting too – as a huge fan of Pocket of Madness and his work with The Outlines, this is a very welcome addition! It brings a different dynamic to the album which I really like. Matty Groves is the traditional cover inclusion – probably best known from Fairport Convention‘s version – this is predictably on steroids and a few grammes of something probably more illicit!

Running with the Hounds is almost a reprise of Hell Hounds that of course fans of Ferocious Dog took their nickname – starting slow with guitar and light percussion, then lighter fiddle-driven instrumentation to give a little respite from the pace and heaviness – I really like this little break, we get a little build in intensity towards the end of course, but just in depth of tone rather than pace, then a faster instrumental reel built from the track melody at the end.

We have another slow starter in Moby Dick, string melodies almost evoking images of Tetris and gull calls kick into a lively telling of Herman Melville’s famous novel. Unusually for FD there’s some ‘la la la’ type singalongs here, and that’s most definitely no bad thing! Anger on the Streets kicks in with heavy guitar and instrumentation and properly angry vocals – it’s quick and to the point, and evocative I’m sure of how many feel with the state of politics both home and abroad at the moment.

Brixton’s Burning is back to a folkier sound – albeit still with the anger, but soaring instrumentals and pauses. You get two choices for The Protest Singer, a bluesy harmonica-infused Americana version that would be great for a ho-down, or a slower paced folksy version – they both work really well! I like the Voltaire quote in there – “it’s dangerous to be right, when your government is wrong” – indeed! (Don’t think that makes me well-read, my main knowledge of Voltaire comes from watching Sharpe, haha!

Which leaves us with Tell God and the Devil, starting with some banjo before kicking in with drum, bass and soaring fiddle at pace with vocals describing the trials and tribulations of working in the mines, something I’m in awe of that people used to do – it’s hard to imagine that kind of endurance when you’re an office-softened numpty like me!

As I write the band will have just rocked out the 100 Club in London and will be preparing to unleash an all day event at Rock City in Nottingham – it’s sure to be a high energy show. I do hope Ken’s got his ‘I can’t talk lots’ sign ready as it promises to be hard work on his voice!

Freeborn Al / 18th May 2024 / Band, Music, Photos, Videos

Star Botherers are Happy and Angry with a new album!

I’ve been looking forward to Star Botherers releasing their album ever since it was announced it was in progress – and by gosh it doesn’t disappoint.  I think all but one of the generous fourteen songs on here I’ve heard performed live, and there’s a fair few that have appeared on EPs released before.  But these familiar friends have been lovingly caressed and enhanced in the studio so even these songs you think you’ve heard before take on new and interesting dimensions without losing their charm.

The once semi-novelty duo – mixing in originals, cover versions and games of bingo into chaotic sets, have been slowly but surely building their portfolio of songs and once you see them laid out here you realise it’s quite an impressive canon.  They’ve managed to retain their fun and irreverence whilst adding layers and sublime production.  Brad has of course joined often on stage to add more intricate percussion, and we’ve seen both Joel and Ellis add extra stringy things of late – and the album is full of this.

Joel too has been responsible for all the technical wizardry in mixing and mastering the now more complicated audio channels – we know from Black Thorn’s album how adept he is at this, and this will sit alongside that as a fine testament to his technical skill.  This really is an album to be proud of – the songs rollercoaster you from amusement, nostalgia, cutting political observations, meloncholy and at times downright hilarity.  Bart is a very clever lyricist and he’s assembled an expert team to augment his guitar in accompanying the words.

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Freeborn Al / 3rd November 2017 / Music, Other Bands, Photos

Two birds with one stone..

20067f_038aaef7b23f4b57b76730111c05ab8dIt was a lovely surprise to get a Facebook message from Pete Jackson asking for my address to send an album to.  I’ve still not quite gotten used to that!  I first saw him perform at a Dogfest I think ages ago, the last time was at Bostin’ Days.  Mostly I’ve seen him with his acoustic guitar belting out Levellers songs – which I certainly have no objection to, but it’s exciting to get to hear someone’s own creations.

Upon picking up Two Birds I had a peruse of the track listing and credits – there’s a full band on here, Pete does the vocals, guitars and mandolin – but he’s backed up by Jamie Lynch on bass, Stuart Robson on drums, Lynn Holt on flute and whistle and James Bennett on keyboards.  The prospect of a full band sound is exciting – his collaboration with Lynn on the Bostin’ Days CD for The Road is one of the highlights on a universally strong collection of Levellers covers.

Distortion and a pitch-change kicks off Come What May – dispassionate lyrics over acoustic guitar talk of drudgery and impatience, before the chorus introduces energetic electric guitar riffs and empassioned vocals – and there’s a killer guitar solo thrown into the mix too.  Everywhere starts gently speaking of the horrors of what might be in store once the alarm clock rings, there’s clever pace changes as the full band kicks in – harmonised vocals, and anxiety-drenched lyrics.

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Freeborn Al / 11th June 2016 / Music, Other Bands, Photos / 0 Comments

2015 – The year of the Dog..

12347814_10153863571453060_2422930688827816042_nOkay, so Ferocious Dog have been around a little longer – but this last year has felt rather like a landmark.  And not just because back in February it’s when Ferocious Blog was born, ha!  The lead up to a new year is traditionally a time for reflecting back on the year just gone and looking forward to the next one, so I figured it’d be nice to trawl back through the months and pull out a highlight or two for each month of 2015, it will be tough to pick just one or two so feel free to chip in your own in the comments – despite my best efforts I didn’t quite make it to every Ferocious Dog gig in the year!

January 2015 – a light month, Ferocious Blog was yet to be created (although it had been an idea kicking around in my head for at least a couple of years).  Checking my calendar and personal blog doesn’t reveal much at all in the way of Ferocious Dog activity – we’d have been still basking in the warm glow of Dogfest back in December – I latterly discovered that a 3 Piece Acoustic performance took place in honour of Ella’s 21st birthday in this month, but alas I didn’t know Snotty at this juncture!

IMG_9188_gFebruary 2015the blog is born after an acoustic appearance by Ken and Dan at the Brown Cow in Mansfield.  Seldom has one of Sam’s nights had such a huge crowd packed in.  The demand for the event was the perfect excuse to arrive early and chat nonsense with friends for the afternoon.  An afternoon of drinking had taken its toll on Dean who for the first time decreed I needed to get up and surf in his place – a great way to start what became a year of extreme ‘dogging’.  These smaller intimate gigs are as enjoyable for me as the bigger and bolder shows that are to follow.  We were first introduced to Scott at this appearance too.

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Freeborn Al / 30th December 2015 / Band, Gigs, Hell Hounds, Music, Other Bands, Photos, Thoughts

Let’s get Maelor’s album made!

12080282_1244148232277896_7194219522662493697_oI am a fan of crowd funding full stop – I’ve backed a few projects over the last few years since it became a thing online, some have been awesome, a couple have proven a bit disappointing, one or two ended up with refunds as they didn’t come to fruition, nearly all of them have been wildly optimistic with their delivery dates!

It’s a bit of a gamble, but it gives the creator of the product a bit of cash up front to be able to get their project underway and fulfilled.  Of course, more recently Ferocious Dog used this mechanism for their latest album and indeed the live CD/DVD recordings at Rock City.

For an artist operating outside the mechanism of a record label who can front cash for recordings, pressings and printing then for me it’s the future of independent music releases.  So it’s in that vein that Maelor Hughes is finally mobilising to get a long overdue album sorted – and he’s reaching out to fans to help him with finding the cash to get it sorted – there’s a number of levels of backing you can give him in exchange for different rewards – which I’m quite excited about – I’ve got a few disparate EP releases from Maelor but it’ll be good to get an album.

On that note – he recently put out a new three track EP called Maybe Over Time which you can get a download of for the princely sum of just £3 – that’d be a good starting point.  Then check out the crowdfunding campaign and see if you fancy getting involved.  Those of you who’ve followed Ferocious Dog for a while are highly likely to have had the pleasure of seeing Maelor supporting them so you’ll know what an ace songwriter and performer he is – those of you that haven’t, hit YouTube!

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Freeborn Al / 28th December 2015 / Music, Other Bands, Photos / 0 Comments

Weston-Super-Stars..

IMG_2151The day for us started in Doncaster post-Levelling.  We’d arranged to meet Becky, Pete and Rachel in a Toby Carvery for a spot of all you can eat breakfast.  Unfortunately we hadn’t clarified brilliantly which one, so the Hotel Campanile crew all piled into the wrong one – a quick google later we’d located the right one and headed there for a plate full of greasy goodness to stave off potential hangovers.  It was a nice way to start the day off reminiscing over a great evening, not least updating the non-Campanile folk of cheese-party disclosures.

Best still, as a potential neat sideline for the MeadEvil bar, Pete had been sourcing some drinking horns – after expressing my excitement about owning such a vessel they very kindly gifted one to me.  So that shall be making plenty of appearances at festivals next year – mmm, meeeead!  I just need some kind of holster for it, or maybe my Dogfest lanyard thing will do the job! Perhaps I should’ve thought a bit more about the photo I posted on Facebook that John must’ve spent all of five minutes gleefully ‘adjusting’ with, well, I was going to say Photoshop but I think it might’ve been MS Paint – haha!  I’ve not used that picture in here!

IMG_2150Then for Ella and I it was time for goodbyes and hitting the road to Weston-Super-Mare via Donny station where Andrea joined our merry road trip to go to The Leylines christmas party.  We had a pretty clear run all the way down, arriving at the windswept town with plenty of time to get checked in.  Andrea’s hotel had free parking so we used that – she checked in to Room 101 initially, but swapped it for one with a sea view, in the meantime we were just round the corner in a different hotel which was pretty comfortable too!

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Freeborn Al / 6th December 2015 / Gigs, Music, Other Bands, Photos / 0 Comments

From Without – it’s finally here!

IMG_0447Facebook has been awash with excited people receiving packages through the post after the Herculean efforts of Gibbo and Hannah in getting everyone’s album packaged and mailed over the weekend.  Despite basically having it already, it was still a bit galling to be stuck at the office periodically spotting a series of delighted people  posting photos and their initial thoughts – all of which have been positive so far (not that I ever doubted it).  I’ve skirted around writing about the album tracks a few times, but now it’s ‘in the wild’ I can do so unabashed at spoiling anything too much.

Biased though I undoubtedly am, I love everything about it – the imagery, the packaging, the slight imperfection in that the lyrics for Gallows Justice are missing from the sleeve notes (Waggy has posted the page online should any perfectionists wish to download them), the signatures, the fact my name is in it, and of course the songs themselves.  The songs, they’re unmistakably Ferocious Dog, they are a mixture of biting political observation, historical accounts, a traditional re-imagining and a love ballad gone sour.

They are unmistakably Ferocious Dog, but they chart some evolution too.  What more could you want?  I described it earlier on Facebook as a plateau of an album rather than a roller-coaster – whilst there’s variation of paces and styles there’s no let up in quality, it peaks early and stays there – I do genuinely love it.  Even though I heard it a lot I still played it all the way home from work, playing pretend that I’d been in in time for the Postman to deliver it to me.

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Freeborn Al / 5th October 2015 / Band, Music / 0 Comments

The waiting is almost over..

IMG_0447.. and boy are you going to think it’s worth it.  From Without has been mastered, and is going into production ready to be sent out to the good folks who made it a possibility by paying up front for it.   Back in April I wrote a review based on some of the rough-cut tracks I’d been privy to, subsequently I’ve been lucky enough to hear a number of the iterations of mixing that occurred and finally the mastered full album this evening.  And wow, what a treat.  I’m not sure if posting this is torturing folk who’ve waited or help with anticipation.

In the recent radio interview Ken talked about From Without and how it was inspired by Karl Marx.  More specifically the inference that revolution can’t be triggered solely by the proletariat but would need help from without their ranks.  Of course all the speculation and misinterpretations were fun – but undoubtedly this is an album that has a strong political underpinning almost throughout – be it contemporary or historical – there’s anger and cutting observation.

Whether it be what sounds like a summary of Iain Duncan-Smith’s assault on the disabled and the farce of the bedroom tax in Living on Thin Air (this is the track, you’ll remember, that was co-written with Nick Burbridge), historical accounts like Ruby Bridges, Crime and Punishment and more recent history in the form of Marikana Massacre or the hauntingly sad-yet-beautiful Slow Motion Suicide charting the demise of a jobless miner in the wake of the pits being closed – there’s clear messages of the disenfranchised ringing through the opening nine tracks of the album.

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Freeborn Al / 1st September 2015 / Band, Music, Photos / 0 Comments