The waiting is almost over..
.. and boy are you going to think it’s worth it. From Without has been mastered, and is going into production ready to be sent out to the good folks who made it a possibility by paying up front for it. Back in April I wrote a review based on some of the rough-cut tracks I’d been privy to, subsequently I’ve been lucky enough to hear a number of the iterations of mixing that occurred and finally the mastered full album this evening. And wow, what a treat. I’m not sure if posting this is torturing folk who’ve waited or help with anticipation.
In the recent radio interview Ken talked about From Without and how it was inspired by Karl Marx. More specifically the inference that revolution can’t be triggered solely by the proletariat but would need help from without their ranks. Of course all the speculation and misinterpretations were fun – but undoubtedly this is an album that has a strong political underpinning almost throughout – be it contemporary or historical – there’s anger and cutting observation.
Whether it be what sounds like a summary of Iain Duncan-Smith’s assault on the disabled and the farce of the bedroom tax in Living on Thin Air (this is the track, you’ll remember, that was co-written with Nick Burbridge), historical accounts like Ruby Bridges, Crime and Punishment and more recent history in the form of Marikana Massacre or the hauntingly sad-yet-beautiful Slow Motion Suicide charting the demise of a jobless miner in the wake of the pits being closed – there’s clear messages of the disenfranchised ringing through the opening nine tracks of the album.








